![]() ![]() Now select a profile for your track from the drop-down menu – the default setting is Universal, which will do if you can’t find a closer match among the factory profiles. Insert it into a track and you’re presented with an empty time vs frequency plot. ![]() The manual is a scant 25 pages, though a short video tutorial may be all you need to start. Finding spectral balanceįor all the complexity going on behind the scenes, smart:EQ 3 is remarkably simple to get up and running. Rather than mixing your music for you, it creates a tidy mise en place for you to work your own magic. The overall effect of smart:EQ 3 is subtle but powerful. I learned through a series of test tracks that while the creation of spectral balance in a mix can certainly have a bearing on all three of the tasks listed above, it is primarily concerned with the third. Smart:EQ 3 uses AI-powered analysis to identify and correct spectral imbalances in our recordings. That’s some heavy lifting, and it can take time to get right. And we use it to keep our overall mix in balance by finding frequencies where tracks may be competing for our ears’ attention – an issue known as masking. We use it to enhance the sound of an instrument or voice. We can use it to repair or mitigate unwanted elements of the recording. Primarily, equalization does three things for us.
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